Mississippi Studios

 

 

 

 

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quickly, quickly

The new quickly, quickly EP finds Portland, Oregon’s Graham Jonson back in his home studio, engrossed in ‘60s psychedelic soul music, imagining some bygone era where it was all about the drum sounds and tape decay. He calls it Easy Listening; the songs are short and inviting, modest yet loaded with ideas. Each started with the drum part, a loose grid for Jonson to paint his idiosyncratic psych-pop across, again playing nearly every instrument. The set follows his 2021 LP, The Long And The Short of It, the 22-year-old musician’s debut on Ghostly International, a coming-of-age jump from the chill beats-oriented corners of the internet to a full-fledged songwriting project with hi-fi sophistication. The moment culminated with Pitchfork’s Rising profile, “quickly, quickly’s Technicolor Pop Bursts Beyond the Algorithm,” and kickstarted the formation of his 6-piece live band for a run of exploratory shows along the west coast. But as the tangible demands for his music pulled him outward and some growing pains in his personal life ensued, Jonson focused his energy back inside; to the comforts of home recording, filling his space with more gear and sessions with friends. Maybe a bit of a droll title for a hard time, Easy Listening briefly pauses for air, offering five of his breeziest basement jams for public enjoyment.

 

 

Vinyl Williams is the multi-sensory project of Los Angeles-based artist and musician Lionel Williams.  Williams began making music under the alias in 2007 and has since gained a reputation for his unique blend of psychedelic pop & dream pop, as well as his maximalist 3D art & interactive worlds.  

Williams’ music is characterized by its lush and immersive soundscapes, with layers of elusive instrumentation and vocals, creating dreamy and hypnotic atmospheres.  Drawing inspiration from a wide variety of sources, he's leaned toward likeminded self-recording artists such as Robin Guthrie, Patrick Flagle of Women & Cindy Lee, A.R. Kane, Greg Saunier of Deerhoof, Curt Boettcher, Martin Newell of The Cleaners From Venus, and Todd Rundgren.  He has also collaborated and shared the stage with artists of the same nature, like Chaz Bear of Toro y Moi, Ruban Nielson of Unknown Mortal Orchestra, and Morgan Delt.

In addition to his work as a musician, Williams is also a visual artist and has created artwork for his own album covers, as well as interactive music videos and point-and-click websites.  He is known for his vibrant colors, futuristic architecture, and abundantly biodiverse landscapes, which all reflect his interest in harmony, hidden structures of space-time, and the divine.

Williams just released his 7th full length album “Aeterna” on August 4th 2023 on his own imprint Harmony Records, adding to the momentum of an increasingly prolific potpourri of record releases.

 

 

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Three time BMA nominee's The Reverend Peyton's Big Damn Band are "the greatest front-porch blues band in the world". They are led by Reverend Peyton, who most consider to be the premier finger picker playing today. He has earned a reputation as both a singularly compelling performer and a persuasive evangelist for the rootsy, country blues styles that captured his imagination early in life and inspired him and his band to make pilgrimages to Clarksdale, Mississippi to study under such blues masters as T-Model Ford, Robert Belfour and David “Honeyboy” Edwards. Their latest record Dance Songs For Hard Times went #1 on the Billboard, iTunes and Sirius XM Blues Charts and was produced by Grammy winner Vance Powell (Jack White, Chris Stapleton). The record is critically acclaimed by Rolling Stone, Relix, Popmatters, Guitar World, American Songwriter, No Depression, Glide, Wide Open Country, Paste, American Blues Scene and many more!


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For folksinger Willi Carlisle, singing is healing. And by singing together, he believes we can begin to reckon with the inevitability of human suffering and grow in love. On his latest album, Critterland, Carlisle invites audiences to join him: "If we allow ourselves to sing together, there's a release of sadness, maybe even a communal one. And so for me personally, singing, like the literal act of thinking through suffering, is really freeing," he says.

Rooted in the eclectic and collective world of his live shows, Carlisle's third album, Critterland takes up where his sophomore album, Peculiar, Missouri left off, transforming Peculiar's big tent into a Critterland menagerie and letting loose the weirdos he gathered together. The album is a wild romp through the backwaters of his mind and America, lingering in the odd corners of human nature to visit obscure oddballs, dark secrets, and complicated truths about the beauty and pain of life and love.

Produced by the GRAMMY Award-nominated Darrell Scott and to be released Jan. 26, 2024 by Signature Sounds, Critterland considers where we come from and where we are going. On the album, he takes on human suffering through stories about forbidden love, loss, generational trauma, addiction, and suicide, believing that by processing the traits and trauma we inherit, he can reach a deeper understanding of what it means to succeed and to exist.

"In many ways, the suffering that has gotten us here is going to control us. Our superstition and our prejudice is going to control us," Carlisle says. "But in another way, we're physiologically set up to be instantaneously expressive of all of those feelings. And what comes out in moments of collectivity, is not just singing, but what I'd hope is a national reckoning with these various different kinds of suffering."

Throughout Critterland runs Carlisle's unease with the tension between love and the reality of an often painful world. He's adamant that everyone should find and feel love, including queer love, love with no reproductive purpose, and love of ourselves; "I think at the heart of the record is the conflict between those two things, between doomed love and the possibility that that love creates," he says.

 

 

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w/ Mind Shrine


From their inception Cola have expanded on the d.i.y. ethic of the Dischord and SST eras, creating potent sounds from a minimal palette of drums/bass/guitar and lacing their songs with winsome one-liners and societal commentary. What’s another word for commentary? Gloss, apparently. Never basic, the lyrics reward repeated listening for deeper meanings. David Berman’s poetry-via-garage light pennings are an inspiration, as equally so are the lighter side of UK first-wave New Wave and the Dunedin sound. The results are in the pudding: at times sparse and poetic, at others a thrilling, hook-laden good time, as with the cheeky romantic sketch of a one-night stand that is so overflowing with innuendo-cum-journalism talk that it almost teeters over into self-parody. It's an album bursting with energy and wit and ideas–filled to the margins.


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w/ All Girl Summer Fun Band & Swansea Sound



Heavenly formed in 1989 out of the ashes of short-lived punk pop combo Talulah Gosh.  Original members Amelia Fletcher, Peter Momtchiloff, Rob Pursey and Mathew Fletcher were joined later by Cathy Rogers, and the full Heavenly sound - a combination of an energetic punkish rhythm section, sweet, wandering lead guitar lines and full-on girl group harmonies - was consolidated. The band recorded for cult label Sarah Records in the UK and, by the time of their second album, for K Records in the US.  Members of the indiepop scene in the UK and the burgeoning Riot Grrrl scene in the US, Heavenly created a unique blend of infectious melody and sharp-edged lyrics.  The band’s career was cut tragically short when drummer Mathew took his own life in 1996.  In 2023 the band started the process of re-releasing their four LPs and have played a handful of live shows, with drummer Ian Button completing the line-up.  Concerts in London, Paris and New York have sold out quickly, with original Heavenly fans clamouring to see a band that they still love.  Along the way, Heavenly’s music has also found a new, much younger audience, with millions of streams and Tiktok ‘likes’.  Heavenly are very much back on the scene, and are currently working on new material.



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A portion of the proceeds from the Hinds tour will go to TAC and their work supporting LGBTQ Youth across the country.


Hinds,VIVA HINDSThe fourth album from Spanish indie rockers Hinds opens with a song called “Hi, How AreYou,” and at the time they were writing it, best friends Carlotta Cosials and Ana Perrotewould’ve responded:Not great.“Hey, you ok?” Perrote sings to Cosials, who responds: “I’vebeen better tbh.” It’s an apt introduction toVIVA HINDS, an album Cosials and Perrote madeafter emerging from a creative rut that began when they released their last album,PrettiestCurse, in2020 and ended when their bassist and drummer decided to leave the band. In between,they split with their management team, lost touring revenue due to lockdowns, and were withouta label for the first time, but when Perrote and Cosials got together to writeVIVA HINDS, thosehardships dissolved.The girls had no one in their corner, but they had one another, and thatmutual trust (they call themselves “millionaires in friendship”) allowed them to create the mostaccomplished album of their careers, one that celebrates their shared history and reaffirms thatthis band is in it for the long haul.Effervescent since inception, Hinds took off instantly over a decade ago when, after spendingone too many nights out watching guy friends play guitar, Perrote andCosials decided that theywould learn the instrument, write songs, and start a band. Their scrappy ethic, infectious onstagepersonalities, and knack for writing hooks made their debut album, 2016’sLeave Me Alone, abuzzy hit, and they kept the momentum going withI Don’t Runin 2018. Since those formativeearly days, they’ve toured internationally and graced festival stages at Glastonbury, Coachella,Fuji Rock, and many more, in addition to opening for major acts like The Strokes, Coldplay, and5SOS. Through it all, they nurtured the intense bond that brought them together in the first place.“We started the band because we are so safe and comfortable with each other. Our relationship isunbreakable,” Cosials says. “This connection between us hasn’t changed since the verybeginning. We still finish each other’s ideas, laugh at each other’s jokes and rhyme each other’slines. Maintaining that enthusiasm for music and for Hinds through the years may seemextremely difficult to find, but it’s something that only can happen with your very best friend.”It’s been four years sinceHindsreleasedPrettiest Curse, the longest gap they’ve taken betweenalbums, and in that time frame, thegirlstendedthejoyful spiritthat made them want to start abandwith help from a few critical collaborators and friends. Initially, the girls shared theirdemos with Sean Silverman (Beach Weather) on a trip to Los Angeles, who also showed them apedal effect they’d never used before, one that would go on to influence the sonic landscape ofVIVA HINDS.The first song they wrote for the record, the hypnotic “Boom Boom Back,”features Beck, who they met by chance at a film screeningon that same trip to LA. Furthercollaborators included Hinds’ close friend Grian Chatten of FontainesD.C., who sings on thesimmering post-punk inspired stand-out track “Stranger.”



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Why am I always expected to do these? I write fiction—questionable fiction at that. This is my third attempt after being told by our manager to do and then redo a bio—I think I am being kind in not pointing out the difference between biography and autobiography. I typed keywords into the computer: Examples Of Band Bios. I certainly gleaned an insight into…self promotion…so this is my final attempt, dont ask again and dont try and edit and improve it to: Appeal to a wider audience. That is not us. I will start—and I wish I could end—by saying, Thirty years, hundreds of songs. Wouldnt it be nice to end right here? But, the internet said I needed to address other ‘fascinating points of interest’. What genre are we? I dont want to be shoehorned anymore, I hope that we have made our own. We helped create The Denver Sound and we continue to experiment and reinvent what we are flattered to be a part of. I am proud that we have taken total control of…everything, and continue to release music and books on our own label SCACUNINCORPORATED. SCAC is releasing the second section of Kinnery Of Lupercalia: Buell Legion. Only SCAC is able to faithfully represent the Buells and their hopes and hates, humors and despairs. I usually dont listen to our albums after we record them, however I might listen to this again. It finally captures the perfect balance between our studio and live sound. Andrew and Dwight have graduated into what I would call, Advanced Placement Recording. Everyone has found their place in SCAC and it shows on this album. George—Emile Cessna’s brother—has joined SCAC on baritone bass and now forms a formidable rhythm section with longtime drummer Andrew—I guess I should mention everyone here. Though she would never say it, Rebecca—my girl— pushes the pedal steel and keyboard into new territory. I now see Dwight cited as a major influence for both banjo and guitar players and he cements those accolades on the Buell Legion. Slim’s voice is honed and better than ever… and Myself, blah blah blah… 

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“The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second,” says Eef Barzelay. “During that time, the band bottomed out, I lost my house, and I had to declare bankruptcy. The only way to survive was to try to transcend myself, to find some kind of deeper, spiritual relationship with life. Once I committed to that, all these little miracles started happening.”

 

‘Forever Just Beyond,’ Barzelay’s stunning new album under the Clem Snide moniker, may just be the most miraculous of them all. Produced by Scott Avett, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, humanizing thorny existential issues and delivering them with the intimate, understated air of a late-night conversation between old friends. Avett’s production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay’s insightful lyrics and idiosyncratic delivery.

 

“I look up to Eef with total respect and admiration,” says Avett, “and I hope to survive like he survives: with total love for the new and the unknown. Eef’s a crooner and an indie darling by sound and a mystic sage by depth. That’s not common, but it’s beautiful.”

 

Named for a William S. Borroughs character, Clem Snide first emerged from Boston as a three-piece in the early 1990’s, and the group would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen studio albums. NPR highlighted the Israeli-born Barzelay as “the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor,” while Rolling Stone hailed his songwriting as “soulful and incisive,” and The New Yorker praised his music’s “soothing melodies and candid wit.”

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Bilal Sayeed Oliver is a truly independent artist. A singer, songwriter, and producer who has always been ahead of his time - blending jazz, afro-futurism, classic soul, alternative r&b, rock, and even classical in his vocals and music. He's known for his wide vocal range, work across multiple genres, and magnetic live performances. Philip Bailey said Bilal is the rare singer who uses his voice like an instrument.

Interscope Records signed Bilal to a major label recording deal fresh out of college, after studying jazz composition and opera at The New School in NYC. His debut album, “First Born Second," showcased a range from the emotionally charged fan-favorite, "Soul Sista," which peaked at No. 18 on the Top R&B/Hip-Hop Songs charts, to the political viewpoints of "Fast Lane" and "Second Child”.

Bilal quickly developed a sizable following at his live shows which were known for being emotional and elecrifying. He received great acclaim from his peers, who noted his range and ability to sing in a freeform style and his classically trained falsetto. The soulful feel of the album caused Bilal to be labeled as "neo-soul,” but throughout his career his expansion in music and pushing of boundaries has proved his point that he is much more than that.

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MICHELLE's first project of buoyant R&B tracks was an ode to New York City, the city where all 6 members of the band grew up. But amid the success of that project, 2018's HEATWAVE, and 2022's AFTER DINNER WE TALK DREAMS, they left home and broadened their perspective. The band traveled across the U.S. and Europe opening for Gus Dapperton, Arlo Parks, and Mitski, headlining their own shows, and playing festivals.

While writing their new album, Songs About You Specifically, MICHELLE decided to rent out a house in Ojai, California. Surrounded by lizards, the smell of ripe cactus fruit, and endless expanses of sand, they experienced a sense of solitude and closeness they hadn't before. It shifted the tone of their work. While their earlier music channeled the churning restlessness of the city, these news songs meander and expand into starry shoegaze reveries, slick funk riffs, and lilting 80s synth pop.

Their newfound closeness also helped them write more vulnerable music. On Songs About You Specifically, the band members express their complicated desires, voice their regrets, and own up to their moments of selfishness. By slowing down, cutting out any distractions, and fostering a sense of communal closeness that necessitated honesty, MICHELLE ended up with a collection of songs that feel like the truth.

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w/ Lizard Skin




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Say her name, Priyanka! The drag pop superstar totally smashed through the drag queen stereotype while she made her mark in traditional institutions as a legit artist. The origin story of Mark “Suki” Suknanan now known as Queen Priyanka started in the TV industry as a host on the legendary children’s network, YTV.

After 10 years of entertaining children, with the magic of drag - Queen Priyanka would be born and immediately start taking over the world of entertainment. Since winning the inaugural season of Canada’s Drag Race in 2020 - Queen Priyanka showed everyone that she is here to stay with her debut EP Taste Test earning over 20 million streams, becoming a lead on the Emmy Award-winning HBO series We’re Here, and acting roles in Netflix’s Glamourous and the upcoming film, Meet Me Next Christmas.

Described by Rolling Stone as “Fearless”, Queen Priyanka keeps proving that Drag queens can carve out a space in Pop music and get played on the radio by trusting her instincts and not playing by the rules. Breaking barriers is something Queen Priyanka is crossing off of her daily to-do list, and with her global fanbase begging for the release of her upcoming debut full-length album Devastatia, Queen Priyanka wants to make it known that she is first and foremost a pop star.

VIP - The Devastatia Meet & Greet Experience 








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In two decades on the road Jeffrey Foucault has become one of the most distinctive voices in American music, refining a sound instantly recognizable for its simplicity and emotional power. With a string of critically acclaimed studio albums – “Stark, literate songs that are as wide open as the landscape of his native Midwest” (The New Yorker), "Beat-up troubadour folk whittled to dolorous perfection” (Uncut), “Songwriting Brilliance,” (Irish Times) – he’s built a brick-and-mortar international touring career and a devoted following that includes luminaries like Van Dyke Parks, Greil Marcus, and Don Henley.

 

In September of 2024 Jeffrey Foucault will release THE UNIVERSAL FIRE (Fluff & Gravy, 9/6/24), his first album of entirely new material since 2018. A series of high-voltage performances cut live in one room, the album is both a working wake – Foucault lost his best friend and longtime drummer Billy Conway, to cancer in 2021 – and a meditation on the nature of beauty, artifact, and loss.

 

Augmenting Foucault's all-star band with members of Calexico and Bon Iver (drummer John Convertino and producer/saxophonist Mike Lewis) THE UNIVERSAL FIRE sets Conway’s death against the massive 2008 fire at Universal Studios that destroyed the master recordings of some of the bedrock American music, to interrogate ideas about mortality, legacy, meaning, and calling.

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