Mississippi Studios

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w/ Ryan Nealon

 

BLÜ EYES

BLÜ EYES is an LA based, self-produced singer-songwriter making waves in the pop world. Her raw, vulnerable lyrics - largely talking about the importance of mental health - have struck a chord with a large audience online, with multiple viral moments earning her hundreds of thousands of followers. She’s been able to turn that online support into an unforgettable live show that’s now been all over the world, where the in-person experience is unlike anything else. Raw, wholesome, cathartic, & uplifting are all words fans use to describe the BLÜ EYES concert experience.

Her debut EP, “healing hurts,” (released November 2022), & sophomore EP “the last songs I’ll write about you,” (released May 2023) were both massive successes, earning millions of streams and placements across all major DSP playlists, including Spotify’s New Music Friday US. She followed up the releases with a debut headline tour in Fall 2023, with 32 shows in 8 countries & in the UK, EU, US, and Canada. In Spring 2024, she supported Hunter Hayes on his Flying Solo tour and has plans to release a new single every month for the rest of the year.

 

Ryan is a fully independent LA-based artist, accomplished writer, and gifted singer-songwriter whose music is celebrated for its delicate, heartfelt, and captivating nature.Over time, Ryan has fostered a dedicated following on various social media platforms and has garnered over 20 million streams across music streaming platforms and over 70 million video views on TikTok & Instagram.

 

In 2023, Ryan released "Feel Good," a poignant ballad that delves into the complexities of body dysmorphia. The song struck a chord with a wide audience, amassing over 15million video views on TikTok & Instagram. This viral release marked a crucial moment in his independent artist career.

 

With a remarkable ability to connect with his audience, Nealon's music resonates deeply with listeners who are drawn to his authentic and vulnerable approach.

 

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MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Three knuckleheads. Two basses. One drum kit. Zero guitars. Always. Loud and odd, Ogre is fresh off their third album in two years, playing to packed-out venues across Portland and beyond. Their latest release "ogre 3" is a compact, shrill experience that calls upon Shellac, Osees, and Lightning Bolt influences. They must be seen to be believed.

Portland, Oregon, based Gondos is a hard band to define. With an ever evolving sound that ranges from the darkest depths of doom metal and punk to the fuzzy, psychedelic worlds of rock and garage. Drawing upon influences of the past such as Black Sabbath, and more contemporary bands such as Thee Oh Sees, Gondos builds upon the psych/garage rock resurgence of the 2010’s, adding their original take on the genre.

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MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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w/ Marlon Funaki


The Palms–BioStarted in Los Angeles, CA in 2015, The Palms have become a formidable player in today’sIndependent musical landscape. With their signature California sound, an undergroundmodern-day classic in “Push Off,” and an ever growing and beloved fan base and catalogue,they’ve generated 100’s of millions of streams, all while retaining 100% ownership,independence and remaining loyal to their DIY ethos.With a new album on the way, arguably their best work to date, 2024 looks to be a careerdefining year for The Palms.It’s time the world gets their ears on California’s best kept secret."The Palms have shifted toward creating music that is as catchy as pop, yet melded withpoignant elements of blues, hip-hop, rock, and reggae. Rothbard's distinct vocals alsoinvite thelistener into each track, allowing the duo's intended messages to come through whilesimultaneously leaving space for individual interpretations."-Interview Magazine


Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

VALID US OR CANADA ID REQUIRED FOR ENTRY. GUESTS TRAVELING FROM OUTSIDE US/CA MUST PRESENT A VALID PASSPORT.

w/ Jenny Zigrino



Mary Lambert is not your typical multi-platinum artist. While studying Music Composition at Cornish College of the Arts, she found a home in the spoken word community of Seattle and began experimenting with infusing poetry into her music, performing frequently as a cellist, singer-songwriter, and poet. Lambert had never released music and was juggling multiple food service jobs when she received a call from Macklemore and Ryan Lewis to collaborate on their marriage equality anthem, “Same Love”. Writing and singing the hook to “Same Love” led to an MTV VMA win and two Grammy nominations: Song of The Year and Album of The Year, and culminated in the iconic 2014 Grammys performance, which featured a mass wedding officiated by Queen Latifah and Lambert’s unforgettable duet with Madonna. After the viral success of releasing a standalone version of the song, “She Keeps Me Warm” Lambert shortly signed to Capitol Records. She released Welcome to the Age of My Body, an EP with a re-release of the Top 20 hit “She Keeps Me Warm” and “Body Love”, a spoken-word piece about body image. Later that year, she debuted her first pop song: a tongue-in-cheek single, “Secrets,” that went Gold and shot to No. 1 on the Billboard Dance charts, which was followed by her debut full-length album, Heart on My Sleeve. Lambert received the Human Rights Campaign’s Visibility Award, The SAMHSA Special Recognition Award from the U.S. Department of Health and Human Services for her work on destigmatizing mental illness, and was invited to speak at the UN. She has performed on the Colbert Show, Ellen, The Today Show, Good Morning America, The Tonight Show, and the American Music Awards.

Lambert had been successful in the eyes of the public; but below the surface, she was struggling with frequent panic attacks and suicidal thoughts. After two releases, she parted ways with formal management and Capitol Records. The desire was to reclaim her independence and to focus her attention on other aspects of her career: poetry, acting, composing, writing, and production. Lambert self-released the joyful indie-pop EP Bold and a self-recorded holiday EP, Happy Holigays under her own label, Tender Heart Records. 

Lambert is currently recording a new album; co-starring in the Netflix animated musical and series, I ♥ Arlo and Arlo the Alligator Boy; hosting The Manic Episodes, a mental health podcast; and facilitates a virtual workshop on body image called Everybody is a Babe. Lambert is also the film composer for 1946: The Mistranslation That Shifted Culture, a documentary about the mistranslation of the word “homosexual” in the bible. 1946 won the Audience Award at both Doc NYC and OutFEST and broke records for the most viewed film in Doc NYC history. She lives between Seattle and Western Massachusetts with her dog, Georgie.



Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Originally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following, helped give rise to an iconic style of heavy music born out of the desert and tagged “stoner rock” alongside peers such as Kyuss, Monster Magnet and Sleep.

Since the band’s inception, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s guitar-driven sound and carefree lyrics centered on “old muscle cars, choppers, vans, skateboarding and science fiction.” Over their career, the band has released 13 albums and has performed to sold out audiences all over the world.

2024 marks another first for the “fuzz rock” pioneers with the release of their 14th album, The Return Of Tomorrow, their first double album of new material. Conceived as vinyl listening experience, the first LP features 7 songs in their iconic heavy fuzz sound including the first single, “Hands Of The Zodiac” and the relentlessly catchy “Loch Ness Wrecking Machine.” The second LP sees the band mellowing out with 6 slower tempo jams including the synth inflected “Solar Baptized” and the title track. Both LPs are 45RPM for the thickest possible sound. Digital listeners need not worry, as the CD, download and streaming versions of the album are mastered specifically for those formats.

In the 6 years since their last album of new material, Scott Hill, Brad Davis, Bob Balch and Scott Reeder released a live album, 6 reissues, 3 new EPs and the soundtrack to Glen E. Friedman’s documentary, A Look Back - Dogtown & Z-Boys, in addition to a rigorous touring schedule. The Kings of The Road aren’t slowing down anytime soon.

Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

GENERAL ADMISSION & FULLY SEATED

THIS EVENT IS 21+

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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Rooted in Portland, Oregon, this fearless foursome has boldly paved a lane of their own design. Daring to shift the paradigm, the quartet blends a myriad of styles seamlessly into a forceful singularity of sound, bound to captivate and inspire. Outside of their own magnetic and spirited live performances, greaterkind has shared stages with the likes of MonoNeon, Judith Hill, Ghost-Note, Brian Jackson and The Hamiltones. On the brink of releasing their own debut record this summer, the band continues to humbly trek into fresh musical territories with both spunk and soul. 

This event is made possible in part with the support from the Regional Arts & Culture Council and KMHD.

Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


ALL SALES ARE FINAL. PLEASE, DOUBLE CHECK YOUR ORDER BEFORE PURCHASING. NO REFUNDS.

MOSTLY STANDING / LIMITED BALCONY SEATING

THIS EVENT IS 21+

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MOSTLY STANDING / LIMITED BALCONY SEATING

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Portland’s AMUSEMENT features former members of FROM ASHES RISE, ARCTIC FLOWERS, and DEATHREAT playing a melodic, hook-driven style of music akin to bands like LEATHERFACE or DINOSAUR JR. Listening to the rough mixes of these tracks felt like discovering JAWBOX or HÜSKER DÜ before anyone even knew who they were. Incredibly competent songwriting that shows years of experience backed with passionate vocals that heave forth relevant lyrics that are firmly rooted in the foundations of hardcore.

 

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MOSTLY STANDING / LIMITED BALCONY SEATING

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Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

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But what, exactly, are the instructions? They are whispery, and multiple, and mainly tell us what not to do. “Stop crying / Go back to sleep” they tell us. (Sleeping Boy). They remind us that “martyrdom's been done before” (Dreamz). And lest we be tempted to seek solace in a device: we gaze into “1000 mirrors” but there is only “one reflection.” And then, with soft insistence: “No one is looking at you / No one is looking at you. / No one is looking at you.”

 

Caicedo

 

 

 

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MOSTLY STANDING / LIMITED BALCONY SEATING

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MOSTLY STANDING / LIMITED BALCONY SEATING

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MOSTLY STANDING / LIMITED BALCONY SEATING

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w/ Methods Body

Colin Stetson

It was at university that Stetson first began playing regularly, “searching, reaching, and exploring the instrument” with Transmission (later Transmission Trio), before heading to San Francisco after graduating and, six years later, Brooklyn. Contributions were made to other artists’ recordings, not least Tom Waits’, and he made his own lowkey records too. It wasn’t, though, until 2007 that his breakthrough album, New History Warfare Vol. 1, was released, and this coincided with his drafting by Arcade Fire, with whom he’d play until 2010. That year he moved to Montreal to join his future (but now ex-) wife, the band’s Sarah Neufeld, with whom he recorded 2015’s Never Were The Way She Was, and the following year he released Sorrow, an extraordinary reimagining of Gorecki’s legendary Symphony of Sorrow. In-between he completed the New History Warfare trilogy, a virtuosic illustration of the “world-building”, as he calls it, that’s critical to much of his solo work, while 2017’s All This I Do for Glory consolidated his reputation, earning multiple nominations for critics’ Album of the Year lists. 

Colin Stetson’s recorded output, not to mention studio and live collaborations – with, among others, Lou Reed, LCD Soundsystem, The National, Chemical Brothers, Bon Iver and Bill Laswell – has proven as prolific as it’s praiseworthy. Since the 21st century’s early years, he’s gained a well-deserved reputation as an exceptional musician, his devotion to craft consummate, his commitment to innovation indisputable. Known for assertive, powerhouse performances on the saxophone – chiefly bass and alto, but also soprano, tenor and baritone – for many years he was a wrestler, a sport whose “insane physical extremes” he credits with his style, alongside, among other things, a love for acts like Pixies and Fugazi. He’s similarly at home, though, whatever the musical context, on clarinet, flute, French Horn and cornet. One might even say he operates in a field all his own.

Methods Body

Methods Body (Portland, OR) creates original sound art using custom tuning systems, polyrhythms, and the cadences of language. John Niekrasz (percussion, voice) and Luke Wyland (keys, electronics, voice) employ musical and technological strategies that force them to break old habits and patterns. Extrinsic song forms and standardized meters fall away, leaving subliminal melodies and deep, uncanny grooves. Methods Body treats time as a physical substance that can be sculpted to alter the listener’s emotional experience. Wyland channels his life-long stutter into a music of broken speech. There are lost languages in this music—it is haunted by artifacts the musicians can’t always explain. Methods Body has released two critically-acclaimed records, Methods Body (2020 New Amsterdam Records/Beacon Sound) and Plural Not Possessive (2023 Beacon Sound), demonstrating the duo's hallmark microtonality, cyclical rhythms, world-building intricacy, and unmistakable collaborative chemistry.



Please note, when selecting the Print at Home or Mobile Delivery method, you will not have access to view your tickets until 14 days prior to the performance.


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MOSTLY STANDING / LIMITED BALCONY SEATING

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