w/ Weakened Friends
Slothrust
There’s cover songs, and then there’s the many ways Leah Wellbaum and Will Gorin have flipped their favorite tracks over the past 15 years. Not just with their longtime band Slothrust either. The Sarah Lawrence grads first bonded over the blues, a way to apply the progressive lesson plans of teachers like Mike Longo — a pianist who played with such jazz pioneers as Dizzy Gillespie and Lee Konitz — to fearless riffs and rhythms that feel like total rewrites.
Gorin is quick to credit Longo’s “Three I’s” lesson — imitation, incubation, and innovation — in particular. The main takeaway? That the best music comes from building upon other people’s ideas, rather than simply replicating or revisiting them.
“Will and I have been playing different genres of music in different configurations together for almost 15 years now and that is a big part of our lock,” says Wellbaum. “We know how to work with each other in a variety of different settings and how to communicate outside of what we do specifically. That offers us tremendous freedom.”
“I feel like we have developed our own unique sound to the point where we can ask ourselves ‘what would Slothrust do?’” adds` Gorin. “The paradox being that if Slothrust knew what Slothrust would do, Slothrust would do the opposite.”
Weakened Friends
Portland, Maine indie rock trio Weakened Friends dive into the honest truth of being a working musician on their new LP, Quitter, reflecting on lost friendships and self-worth swallowed up by burnout. Songwriter, guitarist, and vocalist Sonia Sturino is supported by Annie Hoffman (bass/vocals) and Adam Hand (drums), filling out a mature and emotive sound.
Central to the record thematically is the empty threat of quitting music and “getting a real job”. Sturino wrestles with her relationship with music on the title track, shouting “I love it, but it never really feels okay” over scorching guitars. Despite the implications of the title, quitting is not an option for the band. Even as friends settle into adulthood, Weakened Friends find themselves trapped in a fortress of their own creation, inseparably attached to the eternal youthfulness of life in music. In this liminal zone, life passes by and friendships are weakened, and Quitter takes plenty of time to mourn these losses.
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