Cat's Cradle
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Amanda Shires

  September 21, 2022 8:00 PM

Doors Open: 7:00 PM
More Information
VIP: $149.00
ADVANCED: $25.00
DAY OF: $28.00

VIP Public Onsale: June 24, 2022 10:00 AM to September 7, 2022 12:00 AM
ADVANCED Public Onsale: June 24, 2022 10:00 AM to September 21, 2022 12:00 AM
DAY OF Public Onsale: September 21, 2022 12:00 AM to September 21, 2022 8:00 PM

Grammy and Americana-award-winning singer-songwriter and virtuoso violinist Amanda Shires has pushed the reset button, releasing an album that is so unlike anything she has ever recorded before that you would be tempted to think it’s her debut album instead of her seventh. Take It Like a Man is a fearless confessional, showing the world what turning 40 looks like in 10 emotionally raw tracks, and as the title track intimates, not only can she “take it like a man,” but more importantly she can “Take it like Amanda,” as the last line proclaims-- the clue to the entire album, and perhaps Shires herself.  

“I wrote that last line, ‘take it like a man,’” says Shires from her barn/studio located about 30 minutes outside of Nashville. “Then I changed it. I realized you can try and do what they say and take it like a man and show that you can withstand anything. But truly you can only take it like yourself.”

There are few musicians of Amanda Shires’ stature who would be willing to sacrifice so much of their privacy and personal life for the sake of a record. But for her, art isn’t meant to be constrained, ever since her earliest days.

The native Texan got her start playing fiddle with the legendary Texas Playboys at 15. She toured and collaborated with John Prine, Todd Snider, Justin Townes Earle and others, and has long been a member of husband Jason Isbell’s 400 Unit band. Winner of the Americana Music Association’s 2017 Emerging Artist of the Year award, she has released a series of rapturously received solo albums.

In Shires’ world, music is how the tribe communicates. It’s that sort of communal thinking that inspired her to form The Highwomen – a concept that was born in 2016 which Amanda envisioned as an all-women supergroup intended to share the same swashbuckling spirit as ‘80s outlaw country outfit The Highwaymen. That band, consisting of country music legends Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson, was a successful reaction to a prevalent ageism in Nashville circles. The Highwomen – Shires, Brandi Carlile, Maren Morris and Natalie Hemby -- aspired to redress the scarcity of women artists on country radio, and released a critically acclaimed self-titled album in 2019.

“I realize I have a responsibility to tell the truth and if it empowers someone, all the better,” Shires says, who is often seen donning one of her trademark hats from her vast collection. “My goal is to accurately explain my feelings to myself and hopefully find folks out there that feel or have felt the ways that I do. I share so much personal information so that others don’t have to feel alone.”

That’s something she has achieved superbly on her new album, thanks in large part to a creative rebirth inspired by a chance encounter. Shires had no plans to record an album during the pandemic ... if at all. A couple of events left her disenchanted with some of her choices, musical and otherwise, and had her wondering if she should continue.

“I just wasn’t thinking about recording or performing, because I was protecting myself from what I thought could be the loss of music and touring altogether,” Shires admits. “Even when it was clear this wasn’t the bubonic plague, I wasn’t letting myself think of what the future looked like.”

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