Cat's Cradle
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Paul Cauthen

October 8, 2021 8:00 PM

Doors Open: 7:00 PM
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TICKET PRICES CURRENTLY AVAILABLE
ADVANCED: $35.00
4-PACK: $30.00

TICKET SALE DATES
ADVANCED / 4-PACK Public Onsale: July 9, 2021 11:00 AM to October 8, 2021 6:00 PM
Making Room 41 nearly killed Paul Cauthen. Ironically enough, it’s also the very thing that saved him.

“Finishing this record was one of the craziest experiences I’ve ever been a part of,” reflects Cauthen, the larger-than-life Texas troubadour nicknamed Big Velvet for his impossibly smooth, baritone voice. “I’m honestly glad it’s done because I don’t think I’d survive if I had to do it all over again. No way.”

Written during a roughly two-year stint spent living out of a suitcase in Dallas’ Belmont Hotel, Room 41 chronicles Cauthen’s white-knuckle journey to the brink and back, a harrowing experience that landed him in and out of the hospital as he careened between ecstasy and misery more times than he could count. Cauthen has long been a pusher of boundaries (musical and otherwise), and Room 41 is no exception, with electrifying performances that blend old-school country and gritty soul with 70’s funk and stirring gospel. His lyrics take on biblical proportions as they tackle lust and envy, pride and despair, destruction and redemption, but these songs are no parables.

Cauthen lived every single line of this record, and he’s survived to tell the tale.

“I’ve always been the kind of artist that can’t write something unless I feel it and I mean it.” says Cauthen, “This record is as real as it gets for me. I am these songs.”

Cauthen first earned his reputation as a fire-breathing truth-teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, My Gospel, that he truly tapped into the full depth of his prodigious talents. Vice Noisey dubbed it “a somber reminder of how lucky we are to be alive,” while Texas Monthly raved that Cauthen “sound[s] like the Highwaymen all rolled into one: he’s got Willie’s phrasing, Johnny’s haggard quiver, Kristofferson’s knack for storytelling, and Waylon’s baritone.” The album landed on a slew of Best Of lists at the year’s end and earned festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed along with dates opening for Elle King, Margo Price, Midland, Cody Jinks, Social Distortion and more. He followed it up two years later with Have Mercy, an album that prompted Rolling Stone to dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim 2019 as “the year of Paul Cauthen.”

As his professional life reached new heights, though, Cauthen’s personal life hit new lows, and he soon found himself drifting without a home. Checked in to room 41 at the Belmont, he began escalating his self-destructive tendencies, medicating heartbreak and anxiety with alcohol and drugs as he ground himself into oblivion.

“I’d drink like a fish all night and stay up writing or recording from about 4am until noon,” Cauthen explains. “Then I’d sleep away the rest of the day until it was time to start over again. The only thing that kept me ticking was the songs.”

Cauthen’s routine may have left him with plenty to write about, but it was taking a heavy toll on both his physical and mental health.

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