BLACK COUNTRY, NEW ROAD
For many bands two songs is not a lot to go on. It’s a jumping off point or a sketch of what’s to come - it’s the primitive construction of a group’s artistic foundations. Yet Black Country, New Road propelled themselves far and wide from their first two offerings to the world via 2019’s ‘Athen’s, France’ and ‘Sunglasses’.
What followed was being declared “the best band in the world” by The Quietus, glowing reviews from The New York Times to The Guardian, landing on the front cover of Loud & Quiet, a live BBC 6 Music session, selling out shows across the country including 3 shows totalling 1700 tickets in London, being invited to festivals in far flung places such as Slovenia and Lithuania, scheduled on prestigious festivals such as Primavera and Glastonbury, performing with an orchestra, and finding themselves on French TV sandwiched between Sonic Youth’s Kim Gordon and Radiohead’s Ed O’Brien. Their live performances gaining legendary status among fans of the emerging scene that coalesced around vaunted south London venue The Windmill, and which gave rise to many of their peers and contemporaries such as Fat White Family, black midi and Squid, artists with whom they have variously supported, toured with and collaborated with over the years.