October 16, 2022
Doors Open: 7:00 PM
TICKET PRICES CURRENTLY AVAILABLE
GENERAL ADMISSION 21+: $15.00
TICKET SALE DATES
GENERAL ADMISSION 21+ Public Onsale: August 5, 2022 10:00 AM to October 16, 2022 12:00 AM
Kate Bollinger’s songs tend to linger well beyond their run times, filling the negative space of ordinary days with charming melodies and smart phrasings. She writes them at home in Richmond, Virginia, letting her subconscious lead, an open-ended process she likens to dreaming. From a chord progression appears a line, maybe a syllable will start to stick, enough to pursue, but she says sometimes the words don’t feel like her own, more like shapes that form in the mind’s sky. While many are personal and deal with the emotions that surface with finding her place in the world, she’d prefer they be whatever you’d like them to be, to connect with listeners in their own way. Bollinger’s musical universe is relaxed, tender, and unassuming; within lives a timeless sensibility, a songwriter’s knack for noticing the little things and their counterpoints. Darkness and light, pain and pleasure, reality and escape. These all have space to be seen on her new EP, Look at it in the Light, her first project on Ghostly International.
Bollinger’s project is collaborative; she shoots music videos with her friends and colors each of her folk-pop songs with musicians in her community. An agile group of players with backgrounds in jazz, they recorded her first EP, I Don’t Wanna Lose, as live takes in a single day, then slowed it down to build out her 2020 EP, A word becomes a sound. Bollinger sings quickly at times; she jokes that can get her into trouble when it comes to playing live, “some of these songs are going to be a mouthful.” She’s always been drawn to singers in that free-flowing style and got into the habit of writing quickly while watching her longtime collaborator John Trainum work with rappers in the studio.
Forced to finish her last EP in lockdown, Bollinger, Trainum, and players excitedly returned to sessions in the spring of 2021 to explore a new batch of songs. The parameters were different this time, Bollinger explains, “We wanted to make limiting decisions and to stick with them, rather than leave things open, and we wanted to hear certain flaws and parts of the process.” Inspired by the music of the ‘60s and ‘70s, particularly a lot of the old Beatles demos, they focused on the orientation and clarity of sound. “I like being able to hear the bass, the guitar, the drums, the keys, and for each instrument to be playing a singular part that is good enough to stand alone.”
That clarity carries over into EP’s themes; the title Look at it in the Light is a reference to the aspects of Bollinger’s life that she knows need examining. For one, there’s her persistent resistance to change — she chooses to ignore it on the title track (“I try not to notice / I deny my fate”), as wiry strums sync with crisp drums. She surrenders to comfort on “Who Am I But Someone,” a light and softly psychedelic number that shuffles through “the measures to which I will go in order to avoid having to uproot the familiar things in my life.” Bollinger recorded the demo with Trainum and guitarist Chris Lewis in their shared month-to-month storage space, building on a composition she had written alone, later completing it in the studio with the full band. Together they came up with the sharp turn at the track’s midway point — a sudden shift in a song about staying the same. Therein lies the appeal of Bollinger’s music, the clever twists beneath the sweetness.
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THIS EVENT IS 21+
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